Theorem: Review and trailer
BEFORE celebrating the 50-year career of Terence Stamp at London's BFI Southbank in May the BFI is re-releasing one of his best films from the Sixties.
Stamp is a suitably beguiling, enigmatic presence as the handsome stranger who visits a wealthy household, seducing everyone in sight and calmly ruffling the feathers of a repressed, middle-class family.
Pier Paolo Pasolini's film created a scandal at the time and remains an uneasy satire.
VERDICT: 4/5